Dolly parton elvis presley dating chris brown amber rose dating
Elvis was a big fan of the song and wanted to do a cover. I mean, hell, I'd give him all of it.’ I said, ' I can't do that.
This news, of course, thrilled Dolly, but once she spoke with his manager, Colonel Tom Parker, he told her that in order for Elvis to record the cover she would need to sign over 50% of the publishing rights to Elvis. Something in my heart says don't do that.' And I just didn't do it, and they didn't do it."Dolly's decision not to sign over her publishing rights has made her millions of dollars in royalties from the song over the decades. 1 when it was originally released in 1974, and again in 1982, when Dolly re-recorded it for the soundtrack to her movie The Best Little Whorehouse in Texas. 1 record twice with the same song and the same singer (and three times as a writer).
Parton was interested until Presley's manager, Colonel Tom Parker, told her that it was standard procedure for the songwriter to sign over half of the publishing rights to any song Elvis recorded. I will always be grateful and in awe of the wonderful performance she did on my song and I can truly say from the bottom of my heart, 'Whitney, I will always love you.
Whitney loved the song and worked with producer David Foster to rearrange the tune into more of pop-soul ballad. After Whitney Houston's cover became a massive hit, the tabloids reported that the two were in a huge feud; they claimed Dolly had reneged on an agreement not to perform the song while Whitney's version was on the charts.She was originally to record Jimmy Ruffin's "What Becomes of the Brokenhearted" as the lead single from The Bodyguard.However, when it was discovered the song was to be used for Fried Green Tomatoes, Houston requested a different song.The song isn't about two lovers or a marriage breaking up.Written in 1973, it is actually about Dolly parting ways professionally with her partner and mentor Porter Wagoner. In 1966, he cast the then-obscure singer on his popular television program, The Porter Wagoner Show, and the two became a well-known vocal duo throughout the late 1960s and early 1970s.